2015, Hong Kong
Form follows Typographic
At an exhibition focused on re-designing classic products, including the Anglepoise lamp, I embraced a different approach compared to other designers. While some opted for simple alterations like changing colors or materials, I aimed to achieve a more holistic transformation. In my vision, I saw the lamp's structure as its bone, and the spring as its muscle. However, it felt incomplete, as if lacking its outer layer or "skin." For the initial two weeks, I dedicated my efforts to experimenting with various elements to find the perfect covering for the lamp.